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    We got some pretty gonzo fan art today from Mike Sitnikov (swolediesel on Instagram) combining a love of “Seven Samurai” (1954) with a love for, of all people, Miley Cyrus. That’s him with the long sword and the bandana. Anyone else got fun Kurosawa photoshop art?

    We got some pretty gonzo fan art today from Mike Sitnikov (swolediesel on Instagram) combining a love of “Seven Samurai” (1954) with a love for, of all people, Miley Cyrus. That’s him with the long sword and the bandana. Anyone else got fun Kurosawa photoshop art?

    — 22 hours ago with 9 notes
    #Akira Kuosawa  #Kurosawa  #Seven Samurai  #film  #Criterion Collection  #samurai  #Samurai Cinema  #chambara  #cinema  #movies  #Japan  #Japanese movies  #Japanese cinema  #Japanese film  #Miley  #Miley Cyrus  #Miley Ray  #Wrecking Ball  ##侍 #七人の侍 
    There’s a great little article and video in The Guardian today on chanbara stuntman Seizo Fukumoto, who’s died on screen about 50,000 times. What a boss. 

    There’s a great little article and video in The Guardian today on chanbara stuntman Seizo Fukumoto, who’s died on screen about 50,000 times. What a boss. 

    — 3 weeks ago with 78 notes
    #cinema  #film  #cinefile  #Japan  #Japanese movies  #Japanese film  #Japanese cinema  #samurai  #chanbara  #chambara  #stuntman  #Seizo Fukumoto  #The Guardian 
    Mifune (L, caked in age make up), cinematographer Asakazu Nakai, and Kurosawa on set for “生きものの記録” (1955), alternately translated as “Record of a Living Being” and “I Live in Fear.” 
The film was the final collaboratin between Kurosawa and composer Fumio Hayasaka, who died of tuburculosis during filming. The two worked together beginning with “Druken Angel” (1948).
Masaru Sato, Hayasaka’s protegee, would finish the score for the film and work with Kurosawa on numerous subsequent projects. Sato’s iconic themes for “Yojimbo” and “Sanjuro” are among the most well known music from Kurosawa’s films. 

    Mifune (L, caked in age make up), cinematographer Asakazu Nakai, and Kurosawa on set for “生きものの記録” (1955), alternately translated as “Record of a Living Being” and “I Live in Fear.” 

    The film was the final collaboratin between Kurosawa and composer Fumio Hayasaka, who died of tuburculosis during filming. The two worked together beginning with “Druken Angel” (1948).

    Masaru Sato, Hayasaka’s protegee, would finish the score for the film and work with Kurosawa on numerous subsequent projects. Sato’s iconic themes for “Yojimbo” and “Sanjuro” are among the most well known music from Kurosawa’s films. 

    — 2 months ago with 55 notes
    #Kurosawa  #Akira Kurosawa  #Mifune  #Toshiro Mifune  #cinema  #cinephile  #film  #movies  #Japan  #Japanese cinema  #Japanese film  #film music  #Fumio Hayasaka  #Masaru Sato  #I Live in Fear  #Record of a Living Being  #Drunken Angel  #生きものの記録  #Asakazu Nakai  #cinematography  #behind the scenes 
    Crew and kids on set for “One Wonderful Sunday” (1947). Cinematographer Asakazu Nakai, who worked on the majority of Kurosawa’s classic films, sits behidn the camera. Kurosawa (L) wears a fedora and is flanked by kids. 
A lot of the film was shot on the streets of Tokyo, which was against SCAP regulations at the time, so the crew hid the camera in wooden boxes with holes cut to fit lenses. 

    Crew and kids on set for “One Wonderful Sunday” (1947). Cinematographer Asakazu Nakai, who worked on the majority of Kurosawa’s classic films, sits behidn the camera. Kurosawa (L) wears a fedora and is flanked by kids. 

    A lot of the film was shot on the streets of Tokyo, which was against SCAP regulations at the time, so the crew hid the camera in wooden boxes with holes cut to fit lenses. 

    — 3 months ago with 40 notes
    #Kurosawa  #Akira Kurosawa  #One Wonderful Sunday  #cinema  #film  #cinephile  #Japan  #Japanese movies  #Japanese film  #Japanese cinema 
    Kurosawa (center, white hat, pointing at camera) and crew on set for “Seven Samurai” (1954)

    Kurosawa (center, white hat, pointing at camera) and crew on set for “Seven Samurai” (1954)

    — 3 months ago with 35 notes
    #Kurosawa  #Akira Kurosawa  #Seven Samurai  #film  #cinema  #Japan  #Japanese film  #Japanese cinema  #behind the scenes  #chambara  #samurai  #七人の侍 
    Tatsuya Nakadai (L) with Kurosawa on set for “Kagemusha” (1980). “Kagemusha” began photography with Shintaro Katsu, the original Zatoichi, cast as the protagonist. 
Katsu and Kurosawa couldn’t stand one another, so Katsu left the project with no star and production already underway. Longtime Kurosawa collaborator and friend Tatsuya Nakadai stepped into the roll and saved the picture. 

    Tatsuya Nakadai (L) with Kurosawa on set for “Kagemusha” (1980). “Kagemusha” began photography with Shintaro Katsu, the original Zatoichi, cast as the protagonist. 

    Katsu and Kurosawa couldn’t stand one another, so Katsu left the project with no star and production already underway. Longtime Kurosawa collaborator and friend Tatsuya Nakadai stepped into the roll and saved the picture. 

    — 4 months ago with 39 notes
    #Kurosawa  #Akira Kurosawa  #Kagemusha  #film  #cinema  #cinephile  #Tatsuya Nakadai  #Japan  #Japanese cinema  #Japanese film  #behind the scenes  #black and white  #Shintaro Katsu  #Zatoichi